Tuesday, October 27, 2009

No piranhas required

By Jeremy Duns, guesting for Rebecca Cantrell


I'm at Bouchercon this week, so I asked fellow historical spy writer Jeremy Duns to step in. I knew that someone writing spy thrillers set during the Cold War, starting with the critically well-received FREE AGENT, would know all sorts of devious ways to kill characters. My advice: don’t stand next to him in the rain.


So, Jeremy, what’s the most unusual way that you have ever killed a character?

I write spy thrillers set during the Cold War, and as a result there’s a certain expectation that they will feature exotic deaths. I think this is partly due to the James Bond films, in which characters are fed to piranhas, burned alive or sucked out of airplanes, and partly to some of the real methods of assassination developed by intelligence agencies during that era. Last year, I wrote an article for The London Times listing my top 10 real-life spy gadgets (http://bit.ly/vmIzU), and included a CIA dart gun and the exploding briefcase developed by British boffins during World War Two. But none of these appear in my novels.

It’s hard to write an exotic death once the KGB has assassinated someone with a ricin-tipped umbrella. Many spy novelist have tried, of course, but the danger is that you come across as a spoof. Plus, the Bond films have used up most of the good methods. So instead I tend to kill characters off fairly conventionally, but try to make things more interesting through setting. So my first novel, Free Agent, culminates with an assassination in a Red Cross clinic during the Biafran War. My second, Free Country, which will be published next year, features deaths in London’s Smithfield meat market (following a fight with some electric saws, of course), in an installation in the Galleria Nazionale d’Arte Moderna in Rome and even one on top of St Peter’s basilica.

In fact, the latter is probably the most exotic way I’ve killed a character: my protagonist, British agent Paul Dark, is chased down the dome by several villains, and ends up killing one of them. I suppose I won’t surprise anyone who knows thriller-writers that we can be a sick bunch: I had a great time planning the scene on a research trip to Rome. While all the other tourists were photographing the views of the Eternal City and the statues of the Apostles, I was clicking away to get the angles of some railings and grinning at the fact that they looked perfect for what I had in mind. No piranhas or lasers, sorry, but this is as exotic as I get:

‘He stood to his full length and his mouth formed a grim smile: he thought he had me. He was grasping something in his hand, and it glittered momentarily in the sun. It had a long, thin blade: a stiletto knife?… He saw his chance and leapt forward, pushing me further down the roof and towards the line of railings that enclosed the flight of stairs. As he jerked the knife down, I threw my arms up and grabbed hold of his wrist, managing to stop the blade a few inches from my neck. He grunted, his mouth clamped shut and a hissing noise emanating from his nostrils, and the blade moved closer. I pushed back against him with every sinew and fibre, but I knew that I could only hold out for another second or two at the most…

There was a blur of movement and his free hand came round in a tight fist, aiming low, and I recognized the old commando move and made to counter it with my forearm. I caught it just in time, but in the meantime the blade continued its descent. I pushed back again. Beads of sweat dripped into my eyes, stinging them, and I tried to blink them away, to no avail. He grunted again, and as the blade dropped another fraction of an inch I prepared myself for it to pierce into me.

But then I realized with a flash of intuition what I had to do, and I abruptly relaxed my grip and jerked my head away sharply at the same moment, and the surprise and momentum were too much for him to correct and as his arm came down he lost his balance and the whole upper half of his body tipped over with it, and then I was looking down at the cluster of railing spikes emerging through the top of his head, the tips covered in some dark slimy mixture I didn’t want to think about. He moaned one last moan, and then his limbs went into a final spasm and he was still…

And here’s a photo of the railings in question. I’m sure you’ll agree that they simply had to be featured.

Jeremy Duns is the author of the Paul Dark trilogy. Free Agent was published by Viking in June 2009; Free Country and Free World will be out in 2010 and 2011. Please see http://www.jeremyduns.com/ for more information.

8 comments:

Anne Lyken-Garner said...

I love the scene and the picture of the railing just makes it all come alive. Like the touch of sweat in his eyes too.

♥Jen♥ said...

It may not be exotic but it sure is graphic! Thanks for sharing Jeremy.

Jeremy Duns said...

Thanks, Anne and Jen - and thanks, Rebecca and 7 Criminal Minds for the invitation to guest-blog here. :)

Rebecca Cantrell said...

I guess next time it rains I'll have to wear a raincoat as I now have an umbrella phobia...joined also by a pointy spiked railing phobia.

Thanks for the delightful guest post, Jeremy!

Sophie Littlefield said...

Thanks Jeremy, definitely brought the scene to life...

Jeremy Duns said...

Cheers, Rebecca and Sophie. And Rebecca, I have a lot of phobias after researching assassination techniques!

Thanks again for having me, everyone.

Kelli Stanley said...

Wow, Jeremy, great post!! Of course, now I'm even more paranoid than I was before, and like Rebecca, am eyeing my British brolly a little uneasily. :)

Thanks for stopping over!

Jeremy Duns said...

Sorry I missed your comment earlier, Kelli - thanks! No need to worry about brollies. Hope you're feeling better.

Jeremy