Q: What's the worst corner you've ever
written yourself into and how did you get out again?
A: Whatever
corner I’m backed into at the moment is the worst. Example: She left the apartment hours before
she arrived at the apartment because I need her to see something that she could
only see across town at that moment …but I also needed her to get the phone
call at home that her partner couldn’t possibly make until that moment because
he had been locked up in the villain’s basement and she had to rush out to rescue
him before she realized the man she saw.... Time sucks.
It all sounds so
easy when I begin. I brush past the warning signs and write, write, write,
relishing the rush until that moment I come to a screaming halt, betrayed by my
decision not to have my protagonist be a time traveler of a close, personal
friend of Dr. Who.
It isn’t just
time issues that corner me. I sometimes find the murderer I anointed secretly
in chapter one isn’t such a bad person by chapter fourteen and I get a little
sad to think how much my readers are going to hate him in chapter twenty-three.
So I start hedging, creating little scenes in which he shows a softer side.
Such a mistake. I’m just making it harder to carry off the climax of the story
without severe and unwelcome revisions.
Getting out of
these corners is harder than avoiding them in the first place. So, while I
don’t outline, I do try hard to construct and stay with a timeline, aided by
stickie notes, that forces me to face up to plot complications and straighten
them out as I go. Either she didn’t need
to see that clue, or she saw it from her window, or she saw it last week and
only has to remember it while she waits for her partner’s call.
For characters
who start to shape shirt, firmness is called for most the other time. The
villain is the villain. If I don’t believe he’s dastardly enough for the job, I
need to go back to the backstory and either get rid of him or add enough that I
lose my misplaced sympathy. There’s something else that might be going on – maybe
he isn’t the villain. Maybe my subconscious is telling me he’s the decoy and,
if that’s the case, who is it I think is the real skunk? There’s always
someone. I may merely have ignored my inner voice.
Corners are part
of the business of being a writer – any kind of writing presents issues like
these. The great fun of writing mysteries is the times I’m sitting at the
keyboard grinning as I burst my way out like Superwoman, and rush into the next
hot mess.
You're so right, Susan! Getting stuck is part of the writing process (and getting out of those tricky corners feels wonderful...)
ReplyDeleteAnd another problem I have: proofreading! Of course, it's "shape shift," not the auto-correct "shape shirt" that means nothing!
ReplyDelete