"What's
your favorite movie adaptation of a crime novel?"
This question stumped me for
a bit. I realize I’ve seen lots of crime movies that were made from books, but
haven’t read the books that they’re based on. If you broaden it to include TV,
I have more options.
The John Grisham thrillers
were straightforward and easy to adapt. They build logically toward a climax,
always feature an interesting if slightly reluctant hero, and have satisfyingly
righteous endings.
Elmore Leonard’s ability to
create juicy characters and beautiful dialogue translated nicely into L.A. Confidential and, on TV, my
favorite, Justified.
Ten years ago, I would have
led off with Agatha Christie, in film and on television. But I’ve gotten tired
of the arch character interpretations of her protagonists and the ways
directors and writers have let her other characters exist as cardboard cutout
stereotypes. My taste for Christie’s clever puzzles is intact, just not the way
they’re being presented in the 21st century. I’d love to see one
updated to 2015. After all, they do it all the time with opera now, so why is
her work preserved in amber?
I saw Diva before I read Delacorta’s novel. It was a spellbinder and has
become an all-time favorite film of mine. If you can find it, watch it – maybe
twice to figure out what is actually happening. Subtle, wispy like fog,
mysterious and exotic…so, you know I liked it, right? I read the novel much
later and found out what a fine writer he is. Turns out he began his studies as
a painter, and later worked as a music critic, all of which makes sense when
you see Diva.
There are more, but I want
to read what my fellow Minds say. I’m betting they have some great candidates
to share!
I love your idea for updating Christie to the modern age. They've certainly done it (a lot) now with Sherlock Holmes. Could be fun to see.
ReplyDeleteI think it could be done easily and, yes, I'd love to see a modern Poirot, perhaps a vain metrosexual who sees things happening at the sophisticated after-hours clubs in New York...
ReplyDeleteThey've updated Sherlock to the point of him being old, old, old in the latest rendition. But I agree about the many renditions of Poirot, Miss Marple and Sherlock getting rather ho hum boring.
ReplyDeleteA nice start to the week here! ...though LA Confidential was James Ellroy (not Elmore Leonard). Still a great adaptation!
ReplyDeleteOh, thanks, Art. Writing at midnight isn't such a great idea, I guess! I've mixed their names up before - shame on me. Both writers get my plaudits for arresting writing that adapts well to cinematic format.
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