Our challenge this week was to write a jacket
cover for a famous work of fiction as if it were a novel in the mystery genre.
I changed it a bit to write it as a review rather than a synopsis.
The reviewer today is Terry Shames, who tackled
a thriller that the crime-reading public has awaited with great interest:
ow better to prove Count Lev Nikolayevich Tolstoy’s chops as a top-notch thriller writer than with
his new sprawling, muscular epic, War and
Peace. Spanning across Russia during the Napoleanic invasion of 1812, this historical mystery bounces the reader
back and forth between the stultifying, intensely boring life of parties and
flirtations that is peace, and the scintillating, riveting drama of a ghastly war.
During the war segments the reader may find herself wandering in a fog, much
like Tolstoy depicted the Russian soldiers in before a major battle with the
French—except that their fog is real, adding to the intense question of exactly
what Tolstoy is up to.
Within these confines, we become acquainted with characters
who alternately puzzle us and endear us—but all of whom have secrets. Is
Natasha simply a world-weary ingénue looking for a man? Or is she a spy? And
what of Nikolai? Is he really worried about being a coward as he goes into
battle, or is Tolstoy merely toying with the reader? And then there is Andre,
driven to acts of supreme sacrifice…but by what, exactly? Is he a patriot? Is
he insane? Or just eaten up with the desire for glory and fame? But most intriguing
of all is the character Pierre. A seemingly hapless intellectual who professes
his admiration for the enemy’s leader, Napolean Bonaparte, Pierre falls in
thrall to an international conspiracy. I won’t spoil the fun for the reader by
revealing what the group is up to, but trust me before the novel ends, you will
be more baffled than ever.
In a quote that will tell you what the heart of the novel is
about, the author inserts himself into the book long enough to opine, “A
Russian is self-assured just because he knows nothing and does not want to know
anything, since he does not believe that anything can be known.” Tolstoy uses
the thriller genre to great effect to illustrate this trope. One of the great
questions of the book is whether the reader will know anything by the end.
In an aside, this reviewer would advise Mr. Tolstoy to stick
to using English names in future attempts, as Russian names are too damned hard
to follow. And one further note of caution: Count Tolstoy, commonly known as “Leo”
would do well to find himself a good editor. He’ll find that many people will
be put off by the book’s length, 1350 pages, and its weight, a little more than
two pounds, making it a difficult bathtub read.
Just before this went to press, we were advised that Count
Tolstoy intends to write another thriller, as yet unnamed about a woman, Anna
Karenina, who comes to a bad end. We’ll be waiting to see if Tolstoy is able to
pull off a thriller with a woman as a main protagonist. It will be interesting
to see what kind of strength she brings to a genre that depends highly on physical
prowess.
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