Cringe – Is there any of your published writing that you’re not particularly proud of any more? Give us an example of something you’ve written that made you cringe. Why does it make you feel that way and what have you learned since you wrote it?
Okay – I’m just going to admit this is a dreadfully
difficult question to answer. Why? To be honest I don’t go back and reread my
books, unless I have to. I dare say I'm not the only author who'll admit they're heartily
sick of a book by the time it’s published; we’ll all have read and reread,
edited and re-edited a manuscript so many times before it’s published that there’s no
way we want to return to it. Well, I don’t, anyway. But…sometimes I have gone
back, because I have to – maybe I want to bring back a character, or revisit a
past situation. And there they are – leaping at me from the page – sentences that don’t flow, phrases I now see as anything but
well-turned. And I have no idea why they got past me the first twenty times.
Nor my editor. Or publisher. Or copy-checker. But they did. And now they’ll
always be there. Then...I cringe.
Or will they always be there?
My first short story appeared here! LOVE the '80s vibe |
My first foray into a life of crime (writing) was a short story called Dear George. It appeared in an anthology in 1988, another in 1990, on BBC Radio 4 in 2004, in a collection called Murder: Month by Month in 2007, and another collection called Murder Keeps No Calendar in 2018. And I’ve taken the chance to tweak it every single time. It’s still the same story, but the language I’ve used to tell it has shifted over the years. (You can read the current version by using the “Look Inside” feature on amazon here: click here for amazon access
The same story was most recently edited here |
Overall, I hope I write differently now than when my first
novel was published in 2012. Of course I do my very best every time I write a book, but I also constantly try to improve my storytelling and use of language. How? I read. And
read. And I write. And write. Improvement isn’t about wanting to “write like
someone else”, it’s about knowing how to put your voice on paper – at least,
that’s what I think – and I believe the more a person reads, and writes, the
more certain they are about the nature of their voice. So I go on…and on…trying
to get better every time.
All my lovelies...so far |
When I’ve reread my work I haven’t cringed "very" often (editing should
get all the cringes out) but I do wish I’d known/felt “then” what I know/feel “now”
about language, pacing, character development, and so forth. But, ultimately,
there’s no replacement for experience, and I just hope all my readers are happy
to take the journey with me as I learn more, and develop as a writer – which is
my ultimate hope.
Meanwhile – by way of going on…and on…please consider reading
my eleventh Cait Morgan Mystery, which will be published on 5th
November. Is it the “best book I’ve written so far”? Hmm…why don’t you be the
judge of that…LOL! Click here to find out more about this book
The new one - coming 5th November! |
THE CORPSE WITH THE GRANITE HEART
Welsh Canadian criminal psychologist Cait Morgan, and her
retired-cop husband Bud Anderson, are in London, England, to meet their friend
John Silver’s freshly minted fiancĂ©e, the daughter of a recently deceased
Shakespeare aficionado, and captain of industry. The trip is supposed to be
filled with art galleries, good food, and Christmas spirit. However, an
untimely death at a posh dinner party threatens to send shock waves through the
upper strata of London society.
Cait and Bud’s desire to seek out the truth is blocked by a
shadowy figure who’s been tasked with keeping the incident hush-hush, but – as
the body-count rises – the investigation develops a dreadful momentum.
This is the eleventh Cait Morgan Mystery, and it finds our
usually unstoppable duo running up against the immoveable machinery of
power…with tragic consequences.
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