Q: Have you ever stopped abruptly
and taken up a different project and never gone back to the old one?
-from Susan
We’re
talking about the craft of writing, so I’ll leave out the partially painted
closet and my effort at needlepoint.
I can’t
say “abruptly,” but I did give up on the very first attempt I made to write a
crime fiction novel, long before I got serious and quit my day job to work hard
at writing mysteries. Long before computers, in fact, which is why I threw up
my hands. I’m a terrible typist and I like to see the writing on the screen or on
paper as I go. No handwriting. In those ancient days of the Selectric
typewriter, a typo or a poor word choice, or the need to move three lines of
dialogue to a different position in the story meant re-typing the page or
pages. This, to me, was a sisyphean nightmare, and after a few weeks of
laborious effort, I found I was willing to overlook typos, poor word choices,
and awkward dialogue. The story I was putting on paper, at 120 pages, was not
the story I wanted to tell.
But…I
didn’t throw out the manuscript and it sits, neglected certainly, in a file
cabinet somewhere. Maybe some day I’ll find it and dare to look at it again,
although I think its day has passed. It had two pretty good ideas, both now
mainstream although they weren’t so much then: cyber crime, and a Latina woman
in a police department where she wasn’t exactly welcome. Cyber crime is of an
exponential magnitude of added sophistication now, and I’d have to find a
contemporary Latina detective to find out what’s changed – and I hope that
would be on an order of magnitude also – since the early 1980s.
The chances of finishing the closet walls are a lot greater
than getting back into the old manuscript. Besides, I’m too busy with what is
working for me now. Love & Death in Burgundy launches at Malice Domestic and
the couple months after that are shaping up to be fun!
I used to love the sound of the clacking typewriter, but I'm with you on all the retyping turning into a nightmare. My typed pages often ended up looking like ransom notes, and those chapters would be three times thicker due to all the taped on bits of paper. Oh, and then there was all that Wite-Out.
ReplyDeletePerhaps some of the DNA in that Selectric-composed beginning lies in your subsequent finished works. I know they lie in your worldview. <3 Great post, Susan!
ReplyDelete