by Paul D. Marks
Yes. In fact, I just recently finished two short stories, both of which have female protagonists. Neither is published yet so I can’t turn you onto a place to read them.
But a little side trip before I get to those and other stories. For me the question is not so much have I written things with female protagonists, but whether we can put ourselves in the head of the other gender to be able to write them.
The proverbial “they” tell us to “write what you know,” but if we did only that we couldn’t write
about much since we all only have a limited frame of reference and personal experience. How could we write about an astronaut, a Frenchman (if we’re not French), a Wookiee*, if we haven’t had those experiences. How could we say “je suis Charlie” if we are not Charlie Hebdo? We use what knowledge we’ve gained from living our lives and from the people we know, and fill the rest in with imagination.
Trite as it sounds, we all have experiences as human beings. And, though men and women are different, there is a lot of crossover in our experiences and our shared humanity—how’s that for high-minded pretentiousness? Plus we have empathy for other people if we’re not psychopaths (I’m not naming names here...), including those who are not necessarily just like us. As the saying goes, we have to walk a mile in the other person’s shoes to see what their lives are like...which, in some cases—like writing about the opposite gender for a man—might be a bit of a problem if they’re wearing six inch spiked heels.
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Besides the two new stories with female protagonists, I have a couple of golden oldies that have women as their leads. One of them, Graceland, a humorous mystery, is about a female detective hired to find the missing King’s (Elvis Presley’s) body. The main character introduces herself this way: “My name is Van Jones, short for Vanessa. My mother wanted to name me Priscilla, after the King's Queen. My father wouldn't hear of it. He wanted to call me Johnna after John Wayne. My mother wouldn't hear of that. They settled on Vanessa – I don't know why, probably 'cause neither liked it – and my father calls me Duke anyway.”
Both new as yet unpublished stories, hot off the presses, have female leads, but are very different in tone. One is a satire, told in the first person by a woman who may or may not be guilty of the crime. And the other is set almost completely in a jury room, where the protagonist tries to sway the jury’s vote for her own personal reasons. I had fun writing both, but in different ways. And for both I had to research various external things such as fashions and trendy gourmet foods and car makes and models. I also had to imagine what it would be like to be a teenage girl, now the woman lead of my story, and think about what experiences and feelings would shape her personality—I had to put myself inside her head as best I could. Something I would also have to do if I was writing about that astronaut or Wookiee, neither of which I am. I also had to research murder kits, not having had a lot of real-life experience with them other than to know that you must always include duct tape.
Whatever and whoever we’re writing, we do our research, we rely on our experience, and we try to walk a mile in the character’s shoes and hope we don’t fall down and break our necks.
*Yes, that’s how it’s spelled. No, I’m not a Star Wars nerd – I had to look it up.