Showing posts with label Lori Rader-Day. Show all posts
Showing posts with label Lori Rader-Day. Show all posts

Thursday, January 18, 2018

We Met at Nine. We Met at Eight.

You are having a dinner party for eight, including yourself, in a memorable setting. Where is this setting and which seven characters in crime fiction would you invite and why?

We Met at Nine. We Met at Eight.

(Photo removed)

As one of my guests refuses to budge from his home (and no one else is able to move him either), we meet in an elegant West 35th Street brownstone in midtown Manhattan. And if we’re dining chez Nero Wolfe, we have to invite Archie Goodwin, too, even if he’ll probably ask for a corned-beef sandwich and have to eat it outside. And, of course, Fritz Brenner will prepare the meal. But he won’t be at the table, which means that, counting me, we’re three.

Since we’ve already decided who’ll be cooking the meal, let’s settle on the rest of the help as well. I asked Bertie Wooster to lend us his man, Jeeves, for the evening, but he had a previous commitment at the Junior Ganymede Club and couldn’t make it. Unfortunately, Bertie took my inquiry into Jeeves’s availability as an invitation and more or less invited himself. So that bounder Bertie Wooster is in. Four.

Instead of Jeeves, I thought Mr. Rogers from Agatha Christie’s And Then There Were None might just do in a pinch. After all, Rogers was a manservant who carried on in his duties without missing a beat after his wife was knocked off with poisoned brandy. Who said good help was hard to find?

(Photo removed)

To select the wine, I’m going with Katie Stillwell from Nadine Nettmann’s delightful sommelier mysteries. She’s smart, knows her wine, and can always defuse a crisis if someone bites a cork instead of sniffs it.



To clean up after dinner, I’ve engaged Juliet Townsend from Lori Rader-Day’s Little Pretty Things to do the needful. Of course the guests are advised to keep a close eye on their belongings.



It would have been fun to include some gourmands on the guest list, but perhaps the two most famous in all of literature, Gargantua and Pantagruel, never appeared in any crime fiction that I’m aware of. And how would they have arrived? I doubt they’d have fit into the New York City Subway or a taxi, let alone squeezed through Nero’s front door. And their vulgarity and scatological humor might well have put the other guests off their feed. Still, imagine Gargantua smacking his enormous lips as he enjoyed an amuse-gueule of crispy-fried pilgrims, lovingly prepared by Fritz…

(Photo removed)

That reminds me. The menu. After the aforementioned fried pilgrims, Fritz will follow with shad roe, braised duck, then salad. We’ll finish off with Fritz’s homemade apple pie, coffee, and brandy in Nero’s office.

Okay, back to the guests. The giants are out, and I still need four more diners. Since one can be blackballed in society for throwing a dull dinner party, we’ll need wit and sophistication in surfeit. And, since I’m known to enjoy my drink, I’m killing two birds with one stone and inviting Nick and Nora Charles. Their banter is second to none, and Nick can do double duty at the bar.

Nora: “Why don't you stay sober today?”
Nick: “We didn't come to New York to stay sober.”

And then there were two. We have five men and only one woman. Let’s correct that immediately. Anna Blanc, the adorable disinherited socialite in Jennifer Kincheloe’s brilliant and madcap series set in 1907 Los Angeles, may not know how to boil water, but we’re not asking her to cook. She’s been trained in the best finishing schools and, if she can manage to keep her clothes on through dessert, she’ll be the life of the party.


Finally, rounding out the guest list, my eighth diner is my favorite gal in all of crime fiction. She’s witty, can hold her drink, and won’t eat too much. (If anything at all.) Ellie Stone will sit next to me, as we have her future to discuss.

After overindulging on food and drink, we’ll stumble down the stairs to the street and hail cabs to take us to a speakeasy, where the cops surely will barge in to break things up. Everyone will scramble through a back exit. Everyone except for Bertie Wooster, who’ll get pinched. Don’t worry, though. He’ll give a fake name, pay the fine, and limp home, where Jeeves will have his famous hangover remedy ready for the master.



Thursday, May 12, 2016

No books, please - I'm writing

Do you avoid reading mysteries when you're writing them?

Are you kidding? I'd never have any time to read them! I'm on the second first draft of the year, which means I've been writing since Christmas and I've read fifteen crime novels in that time  . . . because I had to.

I had to read some because I said I'd blurb them if I liked them.
I read, liked, and blurbed:
  • Judy Penz Sheluk's Skeletons in The Attic because what's not to love about a book with a dead-or-alive hook and an old house that's getting gussied up too.
  • Susan Spann's The Ninja's Daughter: which I might not have, because I'm Rumsfeldian in what I don't know about Japanese history. Boy oh boy, I'm glad I did. I can still smell the food.
  • Tammy Kaehler's Red Flags which I absolutely would have because when I had to read Simon Woods' Aidy Westlake motor-racing books  I found out I loved this theme. And I loved this book.
  • Cynthia Kuhn's The Semester of Our Discontent. An accurate enough portrayal of academic life to give me flashbacks to the bad old days of working in a university, but worth it.



Others I had to read because I was moderating the authors on a panel:

  • Nancy West Smart But Dead Best. Title. Ever. And a masterclass on putting hard stuff (genetics) in a lighthearted story.
  • Terry Shames The Necessary Murder of Nonie Blake. I would have read this anyway; I've read every word Terry has written but this way I got to call it working.
  • Triss Stein Brooklyn Graves. As above. Every word. And Triss's description of the next book sent me straight to the dealers' room.
  • Carla Buckley The Good Goodbye. You know how you love Lisa Scottoline and Joy Fielding and yet somehow you manage not to have read an author who writes those books and does it so well you kind of hate her? That.



Or I had to because I was interviewing the author:

  • Ann Cleeves Silent Voices
  • Ann Cleeves The Moth Catcher
  • Ann Cleeves (re-read) four of the Shetland novels.

Guess who I was interviewing.

Yet others I had to read because we were all on the Mary Higgins Clark shortlist together and ...well, I had to:



And the rest I had to read I had to read because I'm breathing: Robert Galbraith Career of Evil,
Karin Slaughter Pretty Girls, and Harlan Coben Fool Me Once.

That leaves just one:- Charlaine Harris's Night Shift. I had to read it because what's the point of having it in your mitts two days before it's even published (because you bought it at Malice) if you don't show off on the plane home?





The woman in the seat beside me didn't care but one of the cabin crew was filled with envy. That's all I ask. I think Night Shift might be my book of the year so far. I'm in deep denial that this third installment is truly the end, though.

What have you read so far in 2016 that's made a big impression?