Thank you, Catriona, for inviting me over. As usual, the question of which book had a profound effect on me knocks me nearly senseless. I always have such a hard time answering that. And I know I can’t pick just one.
I was a clueless older teenager but (very)
eager to learn. Should my answer be the Masters & Johnson for Dummies (not
the real title) I had to whip under my economics book while I was supposed be
studying in our public library and my father walked in? Or the first volume of
Anais Nin’s diary, both of which set up this double Scorpio for a life of
hedonism?
Oh, wait, this is a writers’ blog. You don’t want to hear about my wild and wicked past. Even if you do, these older-lady lips are sealed.
Was it my mother’s volumes of Poe and
Conan Doyle I read at age nine, which gave me nightmares but didn’t prevent me
from going back for more? (I would lie paralyzed in my bed after the light went
out, staring at the ceiling, knowing the speckled band was on its way down to
get me…)
Maybe you mean my first Nancy Drew, my set
of Cherry Ames Student Nurse (and amateur sleuth) mysteries, my first Agatha
Christie (also my mother’s).
I have said many times that when I
discovered Sue Grafton and Sara Paretsky in the late eighties and nineties,
when I devoured Katherine Hall Page and Susan Wittig Albert and Diane Mott
Davidson, I knew I’d found my people. These were (and are) women writing about female
protagonists from their point of view. In their books, I didn’t have to keep
hearing men talking about women’s boobs and legs and skirts, even if
fictionally.
Sara after
the Second Line during the 2016 New Orleans Bouchercon
So when I began writing novels myself in the mid-nineties, I had the most amazing of role models. I went the cozy culinary (and sometimes historical) route rather than the tough lady PI path (although I might have a pair of historical lady PIs teeing up in the wings). It has been my great honor to have met Grafton (sniff) and Paretsky and Hall and been able to tell them of their influence on my career.
Since then, other books have proved
influential, including anything Julia Spencer-Fleming writes. Louise Penny
jumps in, too, although I can’t bring myself to head-hop. And may I just say,
Catriona, you really did it with A Gingerbread House. [You may, CMcP] As I was reading,
I kept saying to myself (out loud, actually), “Catriona!” and “Whoa, Catriona.”
I don’t know how to write dark and creepy nor how to weave stories like you do
– but I aspire to.
No Grater Crime is my twenty-fifth novel and the ninth Country Store Mystery. It features a female amateur sleuth and, yes, recipes in the back. So I’ve definitely channeled those role models, those goddesses.
Readers:
Which of the books/authors that influenced me rings a bell with you? Any other
Anais Nin fans out there? I’d love to send a commenter a signed copy of the new
book.
Ever since meeting the wary owners of an antique shop opening across the street, Robbie has been scrambling to manage weird incidences plaguing her cafĂ© and country store. Pricey items vanish from shelves without explanation, a fully equipped breakfast food truck starts lingering around the area each morning, and loyal diners mysteriously fall ill. When an elderly man dies after devouring an omelet packed with poisonous mushrooms, Robbie must temporarily close down Pans ’N Pancakes and search for the killer with a real zest for running her out of business—or else.
10 comments:
Great to hear about books that influenced you. Don't enter me as I just finished this book and loved it.
Don't enter me either, Edith. But do tell me what you've done today when it's seven o'clock in California! And congratulations on the book. Cx
"Great hair" - oh my! Thank you, dear Catriona.
I'm working on a challenging thing, but have managed to write about 1000 words since seven my time, plus hang a load of laundry on the line, push out a couple other blog posts, approve comments for my guest on the Wicked Authors (Sheila Connolly's daughter Julie Williams!), and learn my book is a Women's World Magazine book club pick! Now back to the challenging and slow-going manuscript (sigh).
Kudos Edith, on number 25! And yes, another Anais Nin groupie here.
The only ones that ring a bell with me is Nancy Drew written by the numerous authors under the pseudonym of Carolyn Keene and at the urging of Daryl Wood Gerber, I read And Then There Were None, by Agatha Christie.
I do think you are a marvelous author. I can't wJt to get hooked on another of your series since The Midwife has concluded.
Anais Nin, oh yes. Her writing cast such a spell on me at the time (when, sigh, I was much younger). And I didn't think to salute that group of women crime writers in my post on Monday whose collective achievements made the possibility of writing my own female protagonist seem possible. Thanks for a great post.
Glad to find fellow Nin fans, Ann and Susan!
Laurie, I hope you love my other books, too.
And thanks, Dru! It was a hard question.
Great post, Edith! Congratulations on your twenty-fifth!
Jim
Thanks so much, Jim.
May I just say that on top of writing her 1000 words and trimming her yew bushes (or whatever), Edith also finds time to encourage newbies to the book writin' trade like me. And I will be forever grateful.
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