LIFE: Most writers have had other jobs. What’s one thing you learned in an entirely different professional setting that you’re grateful for?
Honored to be made a Freeman of the City of London, in recognition of my career in marketing communications |
I don’t know how much laboring through the night shift on the packaging
line at the Smiths’ Crisps factory (where I specialized in Monster Munch
snacks) helped with my writing, but I know I put my months working in the
Netherlands as a bulb-peeler to good use in terms of scene-setting in The
Corpse with the Garnet Face. There are many other times that my life as a
peripatetic trainer of non-marketing managers who needed to move up to become marketing
managers, within many organisations across Europe, has stood me in good stead
regarding location selection, too, because when you stay in a place over and
over again, across many years, you really get to know it well. I worked in
Budapest (The Corpse with the Ruby Lips), on cruise ships (The Corpse
with the Diamond Hand), and in the south of France (The Corpse with the
Silver Tongue).
The real apartment in Nice, France where I set my first novel - my beloved chum, who I met in 1994 when I was working there, still lives there! |
I also lived in London, England (The Corpse with the Granite Heart) for almost two decades, and that was where my time working in marketing communications agencies, as well as running my own, meant I learned how to write to a deadline – whether I was in the mood to do so, or not. Now that’s a really useful skill for an author, because that “muse” so many wax lyrical about can be a pretty elusive character. So, yes, generally learning how to communicate succinctly, and getting something done by the time it needs to be done, were both things I spent twenty years doing – great training.
Of course, the fact that my previous career was in brand building, advertising, and public relations doesn’t hurt, either. Yes, I literally “wrote the book” on marketing communications planning and implementation…twelve of them, to be exact! And what they don’t tell you when you aspire to become an author is that a great deal of time and effort will be expected of you in terms of being the builder and promoter of your own “brand”.
All that being said, if I had to choose one thing that I think is the
most important to me nowadays, that I learned during my previous careers in
business, then academia, it would be: I know that I am capable of putting in
the long hours to get a job done well. If I don’t have a deadline, I won’t start;
I need to be pressed for time to be able to turn out what – for me – is my best
work…otherwise I just amble about, being half-hearted about something, and that’s
NOT the way for me to work efficiently, or effectively. I am – as anyone who
knows me will tell you – very much a 200% person!
As incoming Chair of Crime Writers of Canada |
It took twenty years across two other careers for me to learn what I’m
capable of, and now I get to apply that self-knowledge to my author’s life. How
wonderful!
Want to check out my work? Here you go: https://www.cathyace.com/
1 comment:
Brilliant summary of the difference between writing and working at being a writer!
Post a Comment