Do you belong to any
writing organizations, for crime writers or general writing—MWA? SinC,
International Thriller Writers? If not, why not? If so, what value have they
been to you?
My first
introduction to any writing organization was Sisters in Crime (SinC) and that
was because of the Elanor Taylor Bland scholarship, which I almost won one
year. Almost. I didn’t, but some really talented writers that I have come to
know and love did, and if for no other reason than that, I would say bravo. But
there is so much more that these organizations offer, chief of which is that sense
of belonging. We writers tend to be a lonely bunch a lot of the time. Sitting
in our writing spaces alone, crafting new worlds, breathing life into
characters to launch into the world, with only our whiteboards, our music, and
sometimes a favored pet (cats) to keep us tethered to the real world. Writing
organizations remind us that though a large percentage of our lives are lived
strictly inside of our heads, we actually do have a community behind us waiting
to provide us all the support and resources we need. If only we could tear
ourselves away from our latest masterpiece to join.
I am
currently a part of two writing organizations, SinC, and Crime Writers of
Color. Both are fantastic at what they do to support writers, whether it be
financially through the scholarships they offer, SinC. Or through that feeling
of belongingness that writers sometimes lack, especially writers of color.
I’ll never
forget showing up to my first Bouchercon and being asked, if I were a member of
SinC. I didn’t even know what that meant. Sure, I had heard of it from other
writers who were members and had actually joined at some point, but I had no
idea how much they did for the community until I made that first in-person
contact.
I’ll
admit, I’m still not the most active member, but I hope to change that soon.
Still, I love showing up to a conference and knowing that I already have people
there. If I ever found myself wandering aimlessly and alone, I know that I can
just find a member and instantly be part of a community.
Besides
that, they offer wonderful programming, whether you need a write-in to get
yourself back on track with your current work in progress, yes please. Or
getting to hear your favorite writer on one of their podcasts, or a book club
for writers, amazing, there’s something for every writer at every stage.
Crime
Writer’s of Color is equally amazing, and probably more important, if you’re a
writer of color. This organization changed my writing life as well as so many
others, I’m sure. It was here that I actually learned about so many writers
that I didn’t know were out there changing the game, which they have done
irrevocably and undeniably. Prior to finding this organization, if you asked me
to name a writer of mystery or crime, I could only give you, Walter Mosley.
After becoming a part of this organization, formed by Walter Moseley, Kellye
Garret and Gigi Pandian, I was given a whole new world of greatness that’ll
I’ll be forever grateful for.
Because of
Crime Writers of Color, I was introduced to so many great writers, to include
Shawn A. Cosby, Yasmin Angoe, Amina Akhtar, Tracy Clark, Delia Pitts, and so
many more. If you are a crime writer of color, you belong here. If you’re not,
you should seek out their members and read all their books.
Finally,
my first and favorite writing organization has to be my own writing group, The
Literary Llamas. We started writing together way back in 2006 or so. To me they
are the editor inside and outside my head. They are my support system when that
little voice gets to whispering to just give up. They are my biggest
cheerleaders whenever something great happens. I truly can’t imagine writing
without them. And whenever any new writer asks if I have any advice, my
response is always, get yourself some llamas! Or whatever you want to call it.
They are invaluable.
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