There are many different ways for promoting a new book. Which do you feel is the most effective?
by Paul D. Marks
It’s always hard coming at the end of the week. Other people might have hit points that I hit, though I generally write my articles before our week even begins. But great minds think alike and all of that ;)
I was going to start off by saying it’s a new world we’re living in with the internet and all. But it’s not so new anymore, especially as things move more and more quickly all the time. That said, the internet has opened up a whole new wealth of ways to promote your book. And whether you’re with a major publisher, mid-size or indie publisher you will most likely be the one promoting your book or at least doing 93% of it.
The major publishers push the big authors—you know, the ones who don’t really need it, like Stephen King, Anne Rice, Sue Grafton and John Grisham. But you and your little book, whether you’re pubb’d by a major, a small publisher or an indie, and who could really use a push, well you’re on your own for the most part. But you can do it. It just takes time, effort and a little money. But not nearly as much money as ad campaigns used to take when your only outlets were print, radio and TV.
The internet gives us: Twitter. Facebook. Goodreads and other similar sites.
There’s also a ton of bloggers who review books or interview authors. Ads in things like E Reader News or Kindle Nation Daily or Kindle Review or the very expensive and choosy Book Bub. Even Facebook ads.
And, of course, there’s the old standbys: word of mouth and personal appearances at bookstores, libraries, reader groups, conventions (like Bouchercon, Malice, Left Coast), etc.
If you’ve got money you can hire a publicist. But, just like with anything or anyone else, some might be good, others not so good. And just because they work for a big company or have a fancy office doesn’t necessarily mean they’re better. When I was working in Hollywood my then-writing partner and I got William Morris as agents (have I told this one before?). We thought it was the best day of our lives. Celebrated. Flying high. But it turned out to be the worst experience as we were the little fish in the big pond. (But I’ll leave the details for another time.) But the best agent I had was working out of his converted garage when I met him. And he hustled for me. And got me work. And he was eventually picked up as a VP by another large agency and took me with him. The point I’m making here is don’t let the trappings of a big publicist (or publisher for that matter) fool you into thinking you can sit back and do nothing or let things slide
And today there’s a lot you can do yourself. So even if you can’t afford a publicist it’s not the end of the world. The advantage of a publicist is that they might have lists or contacts of people who might be interested in your book. They might be able to talk someone into running a piece on you and your book. But lists can be bought and with persistence you can get the word out.
The bottom line is write a good book, get the word out any way you can. And hope for good word of mouth because that’s still the gold standard of promotion. And not necessarily easy to obtain. But if you have a good book and you’re persistent that just might happen for you.
As to which is the most effective, as the expression goes, there’s more than one way to skin a cat.*There’s not one way that’s best or most effective. The most effective thing is a combination of various methods working symbiotically with each other. Each thing mentioned above works with and pays off each other, but you have to find what works for you. (And any old excuse to put in a cute cat pic.)
*No cats were skinned in the making of this blog post.