Pitch (im)perfect – This week, you’re pitching the worst idea for a crime, mystery or thriller novel that you can think of – give us your synopsis.
-From Frank
Okay, so there's this ex-cop named Nick Slade who got thrown off the force in disgrace, but we don't know if he did what they say he did or not. Is he clean or dirty, right? You don't know! And he doesn't fight getting thrown off because he figures he deserves it, because the thing they're accusing him of is being responsible for his partner's death. I mean, the guy was twenty minutes from retirement when he died, so it was pretty horrible and sad.
So Nick become a PI, but he doesn't get many cases because he drinks too much and never shaves or bathes but one day this gorgeous, sultry woman with a secret comes into his office and wants to hire him. And instead of being repulsed by his poor hygiene and booze-addled brain, she seems turned on by him. Not only that, but she says she knows who killed his partner! What a good twist, huh? So he takes the case and...
Ehhhh... you get the idea.
Title? The Night Never Stops.
Author's Note: I've written more than thirty novels, most of them crime fiction. From the above partial synopsis, I am guilty of committing the following sins:
1) killing a cop a few months from retirement (it was my first book, so cut me some slack),
2) having a cop leave the force (he resigned) over a terrible mistake (he did it) and having a drinking problem long after, and
3) having a femme fatale very much in the style of Kathleen Turner in Body Heat.
So basically, I may be a cliched mess.
Who came up with this question, anyway?!
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A reminder: My novel, CODE FOUR, written with Colin Conway, is out next week on 11/23!
This is the final book in the Charlie-316 arc.
Now the Department of Justice has sent investigators to determine if federal intervention is needed. Their presence disrupts everyone’s agenda and threatens to expose dark secrets. Goals shift from winning situations to simply surviving.
Not everyone will.
In this tense and explosive final installment of the Tyler Garrett saga, everyone’s true nature is laid bare. Garrett scrambles to maintain what he has built. Chief Baumgartner tries to protect his department. Captain Farrell’s plans crumble around him, and Officer Ray Zielinski’s career is at risk. Meanwhile, DOJ supervisor Édelie Durand diligently follows the facts where they lead. And through it all, the unflappable Detective Clint keeps his eyes firmly on the prize—Officer Tyler Garrett.
3 comments:
I didn't see the cliches in your writing, Frank, just some damn fine crime fiction.
Yeah, but putting all of the cliches in the same book is what elevates, er, depresses the pitch! And I so agree - movie star beauties falling for these mentally and phyically wrecked cops or PIs? I guess it could happen in real life if the femme is herself a bit messed up (cue Chinatown).
@DIETRICH, you're kind to say so. Thanks, man. But they're there, at least at the most basic level.
Still, I do think we can get away with so-called cliches if they're not glaring, and if they fit the context, and if we do the work to set them up. Sometimes it is the execution that makes it ring as cliche.
@SUSAN, good point, and goes to what I wrote above. :-) And you make a great example with Chinatown. It's full of cliches but they're well executed, either because of events or character, so they don't feel trite.
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