Do you use weather in your books to create atmosphere or mood? Talk to us about meteorology.
by Dietrich
Weather and the wrath of nature can certainly add realism, heighten a story’s tension, rack up the pace, or act as an ominous character. It makes me think of some favorite novels like John Steinbeck’s The Grapes of Wrath, Charles Dickens’ Bleak House, Wild by Cheryl Strayed, and The Tin Roof Blowdown by James Lee Burke.
Just for fun (along with a touch of self-promotion), I dug up a few lines from my own novels where nature’s hard at play.
… from House of Blazes
Hot enough to peel skin. Quinn jerked at the cuffs. The
rocket of pain shot up his arm, nothing against the terror of
being burned alive. Flames spread and curled at the ceiling
beams. A board clattered down, then another, sparks flying
back up to the roof beams. Hot as an incinerator.
Glimmers and shadows danced like demons, smoke
choking and billowing. Couldn’t quash the panic, Quinn
swatting at sparks. A deep breath and a gathered rush, he let
go a yell, lugging the bench straight at the door, the wooden
legs sliding on the scattered hay. Throwing his weight, he
heaved the bench at the opening. Levi sitting out in the
Stanley, watching him.
Flinders flew and wood struck the doorway, the frame
splintered down one side. Gulping hot air, Quinn shoved
the bench back, hay catching all around his feet. Rushing
again, the frame ripping free the second time. Couldn’t feel
the broken hand or the foot at all now.
Backing the bench farther into the oven, Quinn thought
one more charge would do it.
The upper floor was totally aflame now.
Eyes on the freedom beyond the doorway, Quinn
dropped his weight low and dragged the bench for the
opening.
… from Call Down the Thunder
Sonny Myers narrowed his eyes against the gust, felt the
rush of cold, the air crackling: static electricity churning
and hellfire flashing inside the mass of black looming high
over the flat land. The yard a frenzy of whipping sand and
debris by the time he got his mule and car in the barn. Felt
like the end of times coming. Through the boiling wall of
sand, Sonny made out two sets of headlights approaching
on the county road. Could be coming for shelter from the
duster, but something told him no. Going to the house,
reaching inside the door, he took the shotgun and stepped
off the porch.
Coming to the door, Clara wanting to have a look.
“Just a blow.” He told her to stay inside.
“What you gonna do, shoot it?”
His eyes slits, Sonny stepped into the yard, forcing his
steps, having to lean into it, going toward the headlights.
Looked like two pickups stopped down by the mailbox,
lights dim against the blasting sand. Doors opened and men
got out. Nobody he knew. Best he could tell there were six
of them, pulling hoods on. Two going to the bed of the first
truck, pulling a long cross from the back. Sonny smelling
kerosene and oil from where he stood, halfway to the house.
A couple of them fanned to his left, heading for the side of
the house, flanking him.
Sonny fired in the air, the only warning they’d get, popping
in another shell. Leaving the ones by the trucks, Sonny
went after the pair going wide around the house. Couldn’t
see twenty feet ahead as the duster bore down. Hurrying
around the side, his eyes searched for them somewhere
ahead of him. One hand against the boards, he made his
way around the back, staying low. Expecting an ambush.
… from Cradle of the Deep
Denny turned the wheel and missed hitting the ice hut. The Cortina
off the hard track again and plowing deeper snow. Feeling
the tires spin and dig in, he pressed the pedal, making out
the dark patch ahead on the white blanket. Didn’t know
what it meant. Heard the swishing sound against the undercarriage.
Denny seeing the sign on a stake:
THIN ICE
“Out!” Throwing open his door, he stepped into the
slush. Ankle-deep, the water as icy as that time with Nort,
Denny felt the panic, wanting to get away from the car, but
forcing himself around to the back. He yanked at the trunk,
but couldn’t get it to pop. Needed the keys dangling from
the ignition. Ice cracked under his foot, and Denny grabbed
Bobbi as she came around the back, catching her wrist, tugging
her away.
Twisting to get free, she yelled, “Get the money!”
He pulled her to the ice hut. Looking back, no idea where
the cops were, seeing nothing but the falling snow. Couldn’t
see the shore or the patrol cars with their flashing lights.
“The money! We can’t leave it,” she yelled.
Feeling the cracking of ice under his feet, he tugged
her. Getting behind the hut, he looked out, couldn’t see ten
feet through the falling snow. Gripping her arm, he pulled
her, ignoring her protests, guessing which way to the road,
watching for the shadows of the cops. A dozen strides and
he lost sight of the Cortina and the ice hut, trudging with
Bobbi in tow, feeling the icy wet at his feet, the numbing
cold, then finally seeing the flash of cop lights and the red
glow against the falling snow. Finding their way back onto
the snowmobile tracks, he let it lead them back to the road.
The wind had picked up, howling, whipping snow angling
and stabbing at their faces. His eyes were slits. Couldn’t feel
his feet in the sneakers as he pulled her along. Bobbi had
stopped fighting, clutched onto his arm, letting him shield
her, guiding her off the lake.
Moving toward the flash of blue and red. Alert for the two
cops. Scrambling onto the plowed bank, one hand on her arm,
fingers of his free hand digging into the snow, getting them
over. One cruiser sat high-centered on the plowed berm. The
other was on the road, flashers still going. Denny went to it.
“The fuck you doing?”
“How you feel about Plymouths?” Denny shoved her, told
her to get in, then got behind the wheel, thanking Christ
the key was in the ignition. He got it started, looking at
the controls.
Shutting her door, Bobbi looked at him, saying, “The
fuck’s wrong with —” and screamed.
The cop charged over the berm and leaped for the car,
his arms out wide like he was flying, landing against its side.
Denny punched down the door lock, jamming the stick in
gear and mashed the pedal. Two hundred pounds of cop
in a parka and fur hat threw himself again, landing on the
hood with a thump, yelling about them being under arrest,
punching his gloved hand at the windshield, the other hand
grabbing for a wiper blade, something to hold on to.
Denny hit the gas, then slammed the brakes, the cop
sliding off, yelling and pounding.
Putting it in reverse, straightening out on the road,
Denny drove past. The cop getting up and yelling behind
them. Denny adding distance.
4 comments:
Some action-packed examples! I especially felt the cold in the last one...
Thanks, Brenda.
The "whipping sand" combined with the cold - I'm glad I was sitting in my cozy office when I read that! Really atmospheric!
Thanks, Susan.
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