Showing posts with label Alfred Hitchcock. Show all posts
Showing posts with label Alfred Hitchcock. Show all posts

Friday, September 16, 2016

A Dose of Hitchcock

Let’s talk about Hitchcock. Best plot twist in a Hitchcock film? Strangest character? A setting you’d like to use in one of your novels?

by Paul D. Marks

I have a confession to make. I love Hitchcock! Not everything, but plenty and not without reservations, though that’s for another post. And though I didn’t come up with this question I think it’s a fun one, so:



Plot Twist:

POSSIBLE SPOILERS AHEAD

Since I’m writing this ahead of time, I’m sure someone else mentioned my chosen plot twist as their best plot twist in a Hitchcock movie. Mine is the Kim Novak character, Madeleine, in Vertigo (one of my fave Hitchcock movies).
Alma Reville, Alfred Hitchcock's wife

Briefly, Jimmy Stewart, a former detective suffering from vertigo, is hired by an old friend to follow the friend’s wife, Madeleine. Jimmy falls for her—no pun intended (if you know the movie you’ll know why it’s a pun…). Something happens and he loses her. But some time later he finds another woman who reminds him an awful lot of her, which leads to some very intriguing plot twists.


The first time one watches Vertigo these twists come on like a tsunami and, indeed, give the viewer a sense of vertigo. Wow! Where did that come from? But not ‘where did it come from’ in the sense of it’s out of the blue, but in the sense of ‘I didn’t see that coming’. It does work and it does grow from the plot. That said, it does strain credulity just a little, but one of the main conceits of movies is to suspend disbelief and truly great movies do that with panache.


Strangest Character:

As to who the strangest character is. Well, I’m not sure if he’s the strangest but I love Hume Cronyn’s Herb in Shadow of a Doubt. He plays the next door neighbor of Charlie (Teresa Wright) and her family, and along with Henry Travers, who plays her father, has a macabre fascination with murder and talks about it with a certain glee. You can see Hitchcock’s dark sense of humor bleeding through in their characters (pun intended). They’re constantly talking about how to kill people and get away with it.

Herbie Hawkins (Cronyn): Well, if I was gonna kill you, I wouldn't do a dumb thing like hitting you on the head. First of all, I don't like the fingerprint angle. Of course, I could always wear gloves. Press your hands against the pipe after you were dead and make you look like a suicide. Except it don't seem hardly likely that you'd beat yourself to death with a club. I'd murder you so it didn't look like murder.
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Shadow of a Doubt

Joseph Newton (Travers): We're not talking about killing people. Herb's talking about killing me and I'm talking about killing him.


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Herbie Hawkins: He ran plunk right into the propeller of an airplane.
Joseph Newton: Ooh boy!
Herbie Hawkins: Cut him all to pieces. Had to identify him by his clothes. His shirts were all initialed.


Setting:

There’s so many great locations in Hitchcock, I’d love to use them all. Brazil in Notorious. Bodega Bay from The Birds. Denmark in Topaz. England in Frenzy. The middle of the ocean in Lifeboat, which occasions his most creative cameo.

Saboteur
And not so much a setting I’d like to use in one of my novels, but one inspired by Hitchcock: the use of famous Landmarks. In North by Northwest there’s the very famous climax on Mount Rushmore. And before that in Saboteur the climax on the Statue of Liberty. And my novel Broken Windows (the sequel to White Heat, and coming soon…I hope) opens with a woman climbing the Hollywood Sign, though I won’t tell you why here, and it also appears later in the story. I don’t really know if it was inspired by Hitchcock, but for the purposes of this article let’s say it was ;) . Also, I’d like to set something on the French Riviera, a la To Catch a Thief, mainly so I could go over there, have a swell time with the swells and write it off. And then there’s Marrakesh, from The Man Who Knew Too Much. And the list goes on. Click here to view a video of Crosby, Stills & Nash performing Marrakesh Expresshttps://www.youtube.com/watch?v=CzB5eRu6HOk 



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All the movies mentioned here are worth a look if you’re looking for something to watch some cold, rainy night.

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Well, a lot of people are at Bouchercon this week. And Amy and I were supposed to be there too. Unfortunately we had to cancel. But we hope everyone’s having a great time and good luck to Art and Catriona on their nominations. And Bob Levinson, whose story The Dead Detective, from the Coast to Coast: Murder from Sea to Shining Sea anthology (which Andy McAleer and I co-edited) is nominated for a Best Short Story Shamus Award.

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Check out Akashic's St. Louis Noir anthology with my short story Deserted Cities of the Heart.

www.PaulDMarks.com

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Wednesday, September 14, 2016

Trumpet-blowing for Hitch....by Cathy Ace



Let’s talk about Hitchcock. Best plot twist in a Hitchcock film? Strangest character? A setting you’d like to use in one of your novels?


Oh my, oh my…this is a tough set of questions! First of all, I know I saw all the Hitchcock films on TV in black and white before I saw them any other way. We finally got a color television set in about 1976 largely, as I recall, to accommodate my father’s desire to watch the Undersea World of Jacques Cousteau "properly". This point will gain greater import below... The great advantage, of course, was that I was able to watch all TV, and films on TV, in color too. Ah, the wonders of Technicolor! North by Northwest was the first Hitchcock I saw in color, and I was blown away! So glamorous. So richly hued. Surreal. Stunning. I’m pleased to say that, over the years, I’ve seen all his films, and enjoy them all, in different ways and for different reasons. 


Best plot twist? From the man whose plots were as twisty as San Francisco’s famous Lombard Street I’ll pick the very end of the film he set in that city – Vertigo – which, when I first saw it, made me very cross indeed. 

Strangest character? Again, asking this about the work of a man who peppered his films with some of the weirdest people ever thrown together on celluloid is a tough one. Strange is normal in a Hitchcock film. Many of his minor characters appear to be simply aids to the plot, with actors hamming it up deliciously as they provide a critical “clue”, and I often adore those pieces. I’m going to bow out of this as gracefully as possible and nominate the Great Man himself who, in his cameo in the abovementioned Vertigo, appears as a passer-by carrying a trumpet case…which I like to think is him acknowledging his desire to blow what’s in it on his own behalf.


A setting I’d like to use in one of my novels? I’ve done that already – the south of France from To Catch a Thief, which was the setting for my first Cait Morgan Mystery, The Corpse with the Silver Tongue. I opted for Nice (which he uses for the scene in the flower market and for some exteriors), rather than Hitchcock’s core setting of Cannes, though I admit I spent several days at the Carlton Hotel in Cannes one year, just because of this film. Little did think, when I first watched Cary Grant motoring along the Grande Corniche to Monaco, that the same area would become my second home for more than half a decade and....here we go with the link-back...in Monaco there's the fabulous Oceanographic Museum...where Jacques Cousteau was director of the aquarium from 1957 to 1988!!



What about you? Favorite Hitchcock film? Least favorite?

 Cathy Ace writes the WISE Enquiries Agency Mysteries (book #2 THE CASE OF THE MISSING MORRIS DANCER became available in trade paperback on August 31st in the UK, and will be available in November in the US/Canada) and the Cait Morgan Mysteries (book #8 THE CORPSE WITH THE RUBY LIPS will be published in paperback in October). Find out more about Cathy and her work, and sign up for her newsletter at http://cathyace.com/

Friday, May 13, 2016

Because Something is Happening Here But You Don’t Know What it is, Do You, Mister Jones? Redux

When you are writing, do you read other mysteries? Or are you afraid it will affect your own voice?

by Paul D. Marks

Not to be party pooper, but we had a similar question a few weeks ago, in February. And since I don’t really have anything new to add to what I said then (you can find it here: http://7criminalminds.blogspot.com/2016/02/another-fine-mess.html), I thought I’d run a piece I did for another blog a while ago. As it deals with people who have little intellectual curiosity, cultural touchstones or desire to read, I think it’s something that might interest both readers and writers.

So, I hope no one minds my rerunning that piece here:

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One of the things that scares me most as a writer is an illiterate society. Not only illiterate in the sense of people being unable to read and write. But “illiterate” in the sense that, as a society, we have touchstones that everyone or at least most people are familiar with. Or I thought we did at one time. I’m not so sure anymore.

Let’s start with plain literacy on a personal and anecdotal level.

When my wife and I were looking for the house prior to our current house we noticed something odd, at least odd to us. We’d go in various houses in different parts of Los Angeles. But, unlike some of the shows on HGTV, you could still see the real people’s stuff in their houses. Their junk, ugly sofa, hideous drapes and kids’ toys strewn all over, laundry baskets, cluttered closets, etc. One thing we didn’t see much of were books. Sure, a house here or there had them, but the majority didn’t. And if they did they had a coffee table book or two of some artist they thought would make them look chic or intelligent or maybe a book of aerial views of L.A. One place we expected to see lots of books was in kids’ rooms or a potboiler on their parents’ nightstands. But, alas, the “cupboards” were bare.
This was twenty or so years ago, so well before smart phones, Kindles and e-readers. So, it’s not like all their multitudinous libraries were in e-form. No, there just weren’t many books to be seen.
We found this odd, as we have books stuffed to the rafters, as do most of our friends. Here, there and everywhere, in the living room or the dining room, library, the hallway, and even shelves upon shelves in the garage.

Flash forward: Cultural Literacy

When we went hunting for our current house, about ten years ago it was more of the same. By then there might have been some e-books and the like but the real revolution still hadn’t hit full bore yet.

Again this seemed odd. But more than odd, it’s scary. Especially for a writer. Because a writer needs readers. And if people aren’t reading, I’m out of a job, and maybe likely so are you. Even scarier though is the fact that, imho, we are becoming a post-literate society. And we are losing our shared background, some of which is gotten through books. Aside from the greater implications of that in terms of the country, it makes it harder as a writer because when we write we assume some shared cultural background. And we make literary or historical allusions to those ends. We mention composers or songs or symphonies. Books, authors, “famous” or “well-known” quotes that we assume most readers will be familiar with, some foreign phrases, even biblical references. Hemingway and even Bob Dylan songs (and I’m talking those from the 60s before he found religion in the 70s), as well as other writers, are filled with them. But often these days readers are not familiar with these references, so they miss the richness of the writing. So then we begin to question whether or not to include these references and sometimes end up writing to the lower common denominator. And that diminishes our works and our society, even if it sounds pompous to say that.

Maybe people won’t know who Rudy Vallee is, and that's understandable, but many also don’t know who Shakespeare is in any meaningful way. (And Happy 400th Birthday to the Bard -- And Many More!)

When I would go to pitch meetings in Hollywood I would often have to dumb down my presentation. I would try to leave out any historical or literary allusions. Hell, I’d even leave out film allusions because while these people may have heard of Hitchcock, few had seen his movies. And they were mostly from Ivy League type schools, but they didn’t have much of a cultural background. So when you have to explain basic things to them, you’ve lost them. They don’t like to feel stupid. And sometimes they’d ask me to explain something to them about another script they were reading by someone else. One development VP asked me to explain to her who fought on which sides in World War II, because she was reading a WWII script someone had submitted. The writer of that script already had points against him or her since the development VP didn’t even know the basics of the subject matter. And I would have thought before that incident that just about everybody knew who fought on which side in WWII. And this is just one example. I have many, many more experiences like this.

After college, the stats show that many people never—or very rarely—read another book. Literacy rates in the US are down. A lot of young people aren’t reading, but they think they’re smart because they look things up on Google. But looking something up on Google isn’t the same as knowing, though it’s better than nothing, assuming people do look things up. See: http://www.salon.com/2014/10/12/google_makes_us_all_dumber_the_neuroscience_of_search_engines/

I’ve seen several authors, some very well known, ask on Facebook if they should include X, Y or Z in a novel because their editor says no one will get the references, even though the references aren’t that obscure. But even if they are, what’s wrong with using them and having people (hopefully) look them up. Isn’t that how we expand our knowledge? But nobody wants to challenge anyone in that way anymore. We’re dealing with generations now that have been told how wonderful they are without having earned it. So when we unintentionally make them feel stupid by using references they’re not familiar with, they turn off. Is it just me or does our society seem to have no intellectual curiosity, no interests or hobbies other than texting or watching the Kardashians? They don’t have the will to look further than the screens of their smart phones?

I know I’m generalizing and that there are pockets of intellectual curiosity (like the readers of this blog!), but I feel like we are becoming a minority.

And when you do a book signing or a library event, do you notice the average median age and hair color of the audience? More times than not they’re older and grayer. And where are the young people? That’s scary.

I wish more people would make New Year’s resolutions to improve their minds as well as their bodies, to exercise their brains as well as their muscles. So maybe we should do yoga for the brain as well as the body.

At this point I’d even settle for grownups reading comic books or graphic novels as long as there’s words in them.

All of this scares me, not just as a writer, who might not have an audience in the future. But for society as a whole. We need to have a shared background, a common knowledge, a literate society of people who are engaged. Not everybody can know everything, of course. But there should be some common background that we can all relate to.

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Shakespeare picture: Licensed under Public Domain via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Hw-shakespeare2.jpg#/media/File:Hw-shakespeare2.jpg