Doing the Curly Shuffle Off This Mortal Coil

Do you have a literary executor named in your will? What would you like (or loathe!) to have happen to your work when you've shuffled off this mortal coil?

by Paul D. Marks

Hmm, I’m not sure what there is to execucute (is that a word?). A bunch of stories, some books, hopefully more of both to come. Right now, I don’t have a literary executor for a bunch of reasons. First and foremost is we, I anyway, plan to live forever. Second, it’s really just not something I’ve thought about and I figure Amy will outlive me, hope so anyway, and she would take care of my expansive literary estate. Or we could leave it to the dogs, literally.

But maybe it’s a good idea to leave a few words about what I’d like to have done with my properties when I do the Curly shuffle off this mortal coil.

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Of course, I gotta go but my work doesn’t have to, especially not in the digital age so I’d like to see it stay alive even if I’m not. It’s nice to think that future generations would want to read it and that it would have something to say to them. Maybe a bit of a message and hopefully just a lot of entertainment. But it seems that many younger people today aren’t much interested in anything that happened before they were born for the most part and I’m not sure how to get them to be interested in something like that. They’re missing out on a lot because of that, but as to how to reach them, I’m just not sure.

And while I’d like my work to live as well as live on, I’m not sure I’d want it to get the sequel or continuing treatment from another writer. I mean, our work is like our children and look at what happened with Gone With the Wind and Casablanca, where a sequel book was written to the movie and some of Chandler’s works. Some of which are good, some not so good. It’s hard to find someone to carry on an author’s work who has the same sensibility and tone and life experience that makes a work or a body of work what it is. So any continuations of my characters might not be my vision but being that I won’t have any vision at all at that time I guess there wouldn’t be anything I could do about it. And, that said, wouldn’t it be nice for the work to be that popular that someone would want to continue it? There’s something to be said for that.

And maybe after I’ve done the slip and fall off this mortal coil my work will even increase in value (to someone anyhow), the same way an artist’s work surges after his death. There’s a movie from the 1960s with Dick Van Dyke and James Garner called The Art of Love. In it, Van Dyke is depressed because his works aren’t selling so he fakes his death to increase their value. Now there’s a thought. If I fake my own death everyone will be clamoring for my stuff and my assigns can sell it for much more than the normal rate. Of course, they’ll be living high off the hog while I’m in hiding somewhere pretending to be dead and probably wishing I was.

But the ultimate answer to the question is yes, of course, I’d like my work to live on and be enshrined in the canon forever to be read by future generations, who look like this:

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And now for the usual BSP.

I’m happy to say that my short story “Bunker Hill Blues” is in the current Sept./Oct. issue of Ellery Queen. It’s the sequel to the 2016 Ellery Queen Readers Poll winner and current Macavity Award nominee “Ghosts of Bunker Hill”. And I’m surprised and thrilled to say that I made the cover of the issue – my first time as a 'cover boy'! Hope you’ll want to check it out. Available at Ellery Queen, newstands and all the usual places.

My story “Blood Moon” appears in “Day of the Dark, Stories of the Eclipse” from Wildside Press, edited by Kaye George. Stories about the eclipse. Twenty-four stories in all. Available on Amazon.

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Happy Holidays to All and to All a Good Night!

Made it through another writing year! Are you taking a break or is this prime, quiet, writing time for you?

by Paul D. Marks

A break? Are you kidding? Do writers ever take—or get—a break? There’s blogs to write and stories to flog and novels to finish (I did just finish one). Even when we’re not at a keyboard writing-writing we’re thinking and plotting and figuring out ways to kill you, uh, I mean kill someone in our stories.

Actually, I’m working on several short stories, writing blogs and working on another novel besides the one mentioned above. I like being busy, especially busy with writing. And always hoping for more time to be reading. So there’s two of three Rs accounted for. I’m not so fond of the third R, ’rithmetic, but a .666 batting average ain’t too bad, certain other implications of that number aside.

But yeah, maybe somewhere in there there’s room for a hot toddy (I don’t like eggnog) and some family time and Christmas movies. We’ve already started on those, having watched Miracle on 34th Street and Love Actually. Hey, some things you gotta do.

And since it’s Christmas Eve-Eve, some fave Christmas movies:

Miracle on 34th Street (the original only) (Maureen O’Hara, John Payne, Natalie Wood, Edmund Gwenn)
The Shop Around the Corner (Jimmy Stewart, Margaret Sullivan, directed by Ernst Lubitsch)
Christmas in Connecticut (Barbara Stanwyck, Dennis Morgan, Sydney Greenstreet, S.Z. Sakall)
A Christmas Story (Peter Billingsley, Melinda Dillon, Darren McGavin, Jean Shepherd)
A Christmas Carol (we usually watch at least one version of this every year, though the favorite for both of us is the Alastair Sim version)
Remember the Night (Barbara Stanwyck, Fred MacMurray, screenplay by Preston Sturges)
It’s a Wonderful Life (Jimmy Stewart, Donna Reed, directed by Frank Capra)
Holiday Affair (Robert Mitchum, Janet Leigh)


But if you’re looking for something not quite so Christmasy, but not as dark as noir, and not in the crime/gangster genres, give some of these a shot (in no particular order):

They Might Be Giants (George C. Scott, Joanne Woodward)
Soldier in the Rain (Steve McQueen, Jackie Gleason, Tuesday Weld, based on a novel by William Goldman)
A Hard Day’s Night (the Beatles)
The Searchers (John Wayne, Natalie Wood, directed by John Ford)
Shane (Alan Ladd, Jean Arthur)
American Hardcore (no, it’s not porn, it’s about the punk rock movement)
It’s Alive 1974-1996 (The Ramones in concert, though it looks like it’s out of print, still can find it on eBay, but CD is available)
Ruthless People (Bette Midler, Danny DeVito, Judge Reinhold, directed by the Airplane guys)
Uncle Buck (John Candy)
Planes, Trains, Automobiles (John Candy, Steve Martin)
Only the Lonely (John Candy, Ally Sheedy)
Sullivan’s Travels (Veronica Lake, Joel McCrea, directed by Preston Sturges; also The Lady Eve, another Sturges movie)
Sideways (Paul Giamatti, Thomas Hayden Church, Sandra Oh, Virginia Madsen)
Ghost World (Thora Birch, Scarlett Johansson, Steve Buscemi)
Philadelphia Story (Katherine Hepburn, Cary Grant, Jimmy Stewart)
His Girl Friday (Cary Grant, Rosalind Russell)

The Gay Divorcee/Top Hat/Swing Time (Fred and Ginger)
Thin Man movies (Bill and Myrna—and TCM is doing a marathon today)
And Now My Love (Toute une vie) (Marthe Keller, André Dussollier, Directed by Claude Lelouch)

Casablanca (my favorite movie, period) (Bogart, Ingrid Bergman, Claude Rains, Conrad Veidt)


If you have kids, some older Disney live-action movies they might not ordinarily see:

In Search of the Castaways (Hayley Mills, Maurice Chevalier, George Sanders, based on a story by Jules Verne)
Old Yeller (good movie, but might make kids sad) (Dorothy McGuire, Fess Parker, Tommy Kirk, Kevin Corcoran, Chuck Connors)
The Moon Spinners (Hayley Mills, Eli Wallach)


Happy Holidays to all and to all a good night!

***

And now for the usual BSP:

I have a couple of appearances in January.

Santa Clarita: The Old Town Newhall Library
Saturday, January 14, 2017, from 10:00 AM-3:00 PM.
24500 Main St, Santa Clarita, CA  91321

Cerritos Library, where I’ll be moderating a panel:
Saturday, January 28 from 11 a.m. to 4 p.m.
18025 Bloomfield Avenue, Cerritos, CA  90703

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Summer's Almost Gone

Summer's almost done! How did you spend your summer vacation? Or did you even take one?

by Paul D. Marks


What I’d like to do here is quote from Casablanca, where Rick (Bogart) is talking to his former girlfriend, Yvonne (Madeleine Lebeau):

Yvonne: Where were you last night?Rick: That's so long ago, I don't remember.
Yvonne: Will I see you tonight?
Rick: I never make plans that far ahead. ₸

And even though summer’s not really over, whatever happened already seems so long ago that I barely remember it. And what I do remember, well, I hope this won’t be too much of a downer:

A few weeks ago we almost got evacuated—again (this was our 3rd close call, and we’ve actually had to leave twice) because of one of So Cal’s ubiquitous fires. Luckily it didn’t come to that this time. I think we were just on the border of the mandatory evac area. That didn’t stop it from being a very tense few days. I work at home and Amy stayed home from work in case we did have to get out. Watching a traffic jam of horse trailers removing horses from our area really brought home how close it was.

No sooner did that situation settle down than my dad fell and ended up in the ER. While there they discovered that he had a heart valve that needed replacing. After 17 days in the hospital he’s back home recuperating slowly in a sort of two-steps-forward-one-step back routine. Though lately it seems more like five steps back.

On the good news front, Amy got to go home to see her family. But I stayed here to tend to business and take care of the critters. So, I didn’t go anywhere this summer, which is fine with me. Mostly, I got to hang with the dogs and Amy (not putting them all in the same category ;) ). And get some writing done (not enough—it’s never enough!).

From Amy's vacation

And there were some good things on the writing front. I sold my first story to Alfred Hitchcock Mystery Magazine and got the news that Ghosts of Bunker Hill will be in the December issue of Ellery Queen Mystery Magazine, the last issue of Ellery Queen’s 75th year anniversary celebration. And both of those are reason for celebration in our house!

But summers aren’t like the summers when I was a kid when all you had to do was head down the California Incline to the beach. No worries. No bills to pay. No appointments to keep or places to be. Not much Responsibility with a capital R. Just Sun, Sea, Sand and Surfer Girls. In fact, I met my first real girlfriend at the beach on one of those lazy summer days. A California Girl on a California Beach. Like the Beach Boys sang in Surfer Girl:

We could ride the surf together
While our love would grow
In my Woody I would take you everywhere I go*

California Incline

All I needed was a Woody, which I never managed to get – and when I met her I wasn’t quite old enough to drive yet. Though at one point I did have a Ford station wagon with fake wood on the side. Does that count?

And now that summer’s almost gone, a few lines about that from the Doors:

Summer's almost gone 
Summer's almost gone 
Almost gone 
Yeah, it's almost gone 
Where will we be 
When the summer's gone?**

Where will we be when summer’s gone? Well, we were supposed to be at Bouchercon in New Orleans. Unfortunately due to the usual circumstances beyond our control it looks like we’re going to have to bow out of that, which is a major bummer!

So maybe next summer will be better but for now I’m looking forward to autumn and winter, such as it is in SoCal. And maybe we’ll get enough rain to fill the creek again. Now that would be something!

***

Check out my story Deserted Cities of the Heart in the recently released St. Louis Noir.

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₸ Written by: Julius J. Epstein, Philip G. Epstein, Howard Koch, Murray Burnett, Joan Alison, Casey Robinson

* “Surfer Girl,” written by Brian Wilson. Performed by the Beach Boys.

** “Summer’s Almost Gone,” written by Jim Morrison. Performed by the Doors.